Summary and Info
These new essays written specifically for this volume explore the various aspects of Olivier Messiaen's spiritually committed musical language, drawing on his own remarks in subheadings and prefaces, his biblical and theological citations, his allusions to works of visual art, and on the language spoken directly by the musical tropes themselves.
More About the Author
Siglind Bruhn (born October 11, 1951 in Hamburg) is a German musicologist and concert pianist.
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