Summary and Info
With this widely acclaimed work, Fried revised the way in which eighteenth-century French painting and criticism were viewed and understood."A reinterpretation supported by immense learning and by a series of brilliantly perceptive readings of paintings and criticism alike. . . . An exhilarating book."—John Barrell, London Review of Books
More About the Author
Michael Martin Fried (born April 12, 1939 in New York City) is a modernist art critic and art historian.
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Absorption and theatricality: painting and beholder in the age of Diderot 0 out of 5 stars based on 0 ratings.