Summary and Info
This collection is about writing contests, a vibrant rhetorical practice traceable to rhetorical performances in ancient Greece. In their discussion of contests' cultural work, the scholars in this collection uncover important questions about our practices. For example, educational contests as epideictic rhetoric do indeed celebrate writing, but does this celebration merely relieve educators of the responsibility of finding ways for all writers to succeed? Contests designed to reward single winners and singly-authored works admirably celebrate hard work, but do they over-emphasize exceptional individual achievement over shared goals and communal reward for success? Taking a cultural-rhetorical approach to contests, each chapter demonstrates the cultural work the contests accomplish. The essays in Part I examine contests and riddles in classical Greek and Roman periods, educational contests in eighteenth-century Scotland, and the Lyceum movement in the Antebellum American South. The next set of essays discusses how contests leverage competition and reward in educational settings: medieval universities, American turn-of-the-century women's colleges, twenty-first century scholarship-essay contests, and writing contests for speakers of other languages in the University of Portugal. The last set of essays examines popular contests, including poetry contests in Youth Spoken Word, popular American contests designed by marketers, and twenty-first century podcasting competitions. This collection, then, takes up contests as a cultural marker of our values, assumptions, and relationships to writing, contests, and competition
More About the Author
Mary Danielle Lambert (born May 3, 1989) is an American singer, songwriter and spoken word artist. She worked with Macklemore and Ryan Lewis on a track on their album The Heist.
Review and Comments
Rate the Book
Contest(ed) writing : re-conceptualizing literacy competitions 0 out of 5 stars based on 0 ratings.